INTERGRATING SOHRAI AND KHOVAR TRIBAL ART MOTIFS FROM JHARIKHAND, INDIA INTO SRI LANKAN BATIK HOME FURNISHINGS
N. A. N. L. Jayathilake*
Institute of Technology University of Moratuwa, Sri Lanka
Session: Technical Session F
Abstract
Sri Lanka is one of the major countries that practice the batik technique. Therefore, it is essential to support traditional batik designers by providing them with innovative, value-added designs and motifs. The study focused on introducing Sohrai and Khovar tribal art motifs from Jharkhand in India into Sri Lankan home furnishing products. During the Covid-19 pandemic, SriLankan government took steps to develop and revive traditional batik art. Thus, this study aimed to revive both Indian tribal art and the Sri Lankan traditional batik industry while introducing value-added products that meet modern consumer needs and preserve lesser-known Sohrai and Khovar tribal art. The experimental study involved conducting a comprehensive literature survey to explore Sohrai and Khovar motifs followed by a survey conducted for selected 25 batik designers, artists, and manufacturers from Sri Lanka to gain comprehensive insights into the designs. Due to limitations during the pandemic, the survey was conducted online.25 experienced batik designers were selected with the support of the National Craft Council. Based on the findings, 25 Sohrai and Khovar tribal art motifs were selected for designing different layouts suitable for Sri Lankan batik home furnishings such as wall hangings, cushion covers, tablecloths, bed runners, and bed sheets. The main colours utilized were black, white, yellow ochre, and brownish red. The study will have a significant impact as it will contribute to the global exchange of cultural heritage while supporting SriLankan batik designers and preserving lesser-known tribal arts.
Keywords: home furnishings, Khovar tribal art, Sri Lankan batik industry, Sohrai
DOI: 10.64752/CPDO4397